The Ephemeral Boys of Summer Lead Lovely Anime Goodbye, Don Glees!
The gnats are swarming, the fireworks are glowing, and it’s time to get the boys together for one last summer hurrah. A quintessential “last teen summer” story, the premise of Goodbye, Don Glees!, writer/director Atsuko Ishizuka’s first original feature, is a bit trite at first blush. But like the nectar of succulent flowers in full bloom, there is much to savor.
Teens Roma (Natsuki Hanae; Adam McArthur) and Toto (Yuki Kaji; Nick Wolfhard) are childhood friends united as outcasts in their rural mountainside village. Now high schoolers, the pair have begun to drift apart. With a sense of obligation masked as desire, Toto left their hometown to attend a high school in the city while Roma remained to help his family’s farm. Returning briefly for a summertime festival, Toto’s newfound sense of maturity and Roma’s unchanged wonder come to an impasse.
The duo, under the self-proclaimed banner of the “Don Glees,” is further altered by the presence of a new member: Drop. Drop (Ayumu Murase; Jonathan Leon) is the smallest boy of the group and the least restrained, a foil to the person Toto imagines himself becoming, and one who pushes Roma further from what Toto thinks he needs from his friend. But when the trio is blamed for a forest fire, they have to adventure into the wilderness that will, of course, push them apart before pulling them back together.
The broad outlines of the story are less fantastic than the functionally similar adventure behind the director’s serialized original debut, A Place Further than the Universe. But working within these YA tropes, Ishizuka and Madhouse capture the magic of the natural world. The care with which both the narrative and animation are crafted makes Goodbye, Don Glees! an ode to summertime day hikes, weekend camping trips, mountain valley bike rides and river playtimes.
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