May I Ask for One Final Thing? Is About Evil Rich Men Getting Punched in the Nose, and That’s Pretty Neat
In a seasonal anime lineup defined by sequels and known quantities, May I Ask for One Final Thing? has proven an out-of-left-field delight, a sucker punch that has defied expectations. What’s the secret to its success? A violence-loving heroine who uses her fists to viciously pummel evil aristocrats.
This story begins in an exceedingly familiar place: we follow the noble lady Scarlet El Vandimion, who, like many heroines before her, is wrongly labeled as a “villainess.” In this case, she’s accused of scheming against her fiancé, Kyle von Pallistan, the second crown prince.
For those unfamiliar, this basic plot setup has become one of the most common premises in many anime/manga/light novels: the daughter of a Duke (or some other member of the noble hierarchy) is engaged to an even higher-ranking aristocrat, an aloof jerk who is usually blonde. Then the protagonist is wrongly accused of corruption by her fiancé in front of the rest of the upper crust, as the dastardly man slanders her to pursue a different woman. Some of these are isekai stories where the protagonist is reincarnated into a visual novel as a character who actually was a scheming villainess, while in others, these allegations are entirely manufactured.
Throughout the first episode of May I Ask for One Final Thing?, we see that Scarlet has done nothing wrong. In fact, she’s been on the receiving end of Kyle’s bullying since she was a child, eventually developing an ice-cold exterior to hide her true feelings. All through it, she conceals both her anger and the fact that she’s one of the strongest fighters in the entire kingdom, gifted with powerful time-control magic and a mean right hook that earned her the nickname “The Mad Dog Noblewoman.”
However, when the second prince attempts to publicly humiliate Scarlet, accusing her of crimes she didn’t commit in front of a crowd of sneering underlings, her carefully suppressed righteous indignation boils over. At last, we arrive at the central premise. Scarlet puts on her fingerless leather gloves and beats the everlasting shit out of every contemptuous elite in the room.

She casts a spell on herself to speed up her movements, and then proceeds to clobber each and every one of these human garbage bags with such force that it would almost be uncomfortable to watch if they weren’t a bunch of sniveling deplorables who brag about enslaving people. The scene ends with our heroine hitting her former fiancé with enough force to leave him embedded in a stone wall.
To state the obvious, the scene is satisfying. It’s vindicating to see these horrible men get their lights knocked out by a badass woman who revels in meting out knuckle-sandwich flavored justice. Liden Films conveys the physical violence of the scene, with faces recoiling from our heroine’s supernatural strength, and eyes rolling back in their sockets. As Scarlet takes her time clobbering each and every one of them, their ruby red blood splatters on her smiling face; she’s a bit of a sicko, but her sadism begins and ends with punishing the wicked.
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