Netflix’s Well-Animated Terminator Zero Starts Strong Before Breaking Down
Photo Courtesy of Netflix
While plenty of big franchises eventually get trapped in a Gordian knot of confusing storytelling as they release additional installments, the Terminator series has to be one of the most incomprehensible. After the lean action-horror excellence of the original 1984 film and the 1991 sequel’s more indulgent (but still deeply entertaining) blockbuster sensibilities, the Terminator movies have largely succumbed to the brain-frying complications of a narrative centered around time travel to the point where trying to explain the complete timeline may as well require a PhD in quantum physics. And more than these confusing details, the later films feel held back by the past, unable to craft the kind of groundbreaking imagery and tense circumstances that made the original feel ahead of its time.
Terminator Zero is a new chapter in this complicated mythos, a TV series from one of the most prolific anime studios around, Production I.G. (Ghost in the Shell, Psycho-Pass, Patlabor, and a whole bunch more), and showrunner Mattson Tomlin (Project Power, Mother/Android). It’s an eight-episode anime that starts off strong thanks to creeping mechanical horror that mirrors the first film, excellent animation, and interesting ideas that make it seem poised to break free from the temporal loops the franchise has been stuck in for decades. Unfortunately, though, it self-destructs in its last episode, unable to bring together its larger themes as it fails to deliver a satisfying climax and introduces confusing time paradoxes.
As for how it compares to previous entries in the series, on its face, many of Zero’s plot details are quite familiar: Skynet once again sends a Terminator into the past to kill someone who will defeat them in the future, in this case, Malcolm Lee (André Holland in the English-language dub and Yuuya Uchida in the Japanese dub), an engineer living in 1997 Japan. A member of the human resistance is sent back in time to stop this assassination, in this case, Eiko (Sonoya Mizuno/Toa Yukinari), a stoic fighter determined to accomplish her mission for the sake of those she’s lost.
While you’ve seen these beats before, through the first few episodes, Production I.G. and director Masashi Kudou render these familiar sights with verve. Events begin with a statement of purpose, a brutal cold opening that reminds us of something we may have forgotten across countless sequels and spinoffs: Terminators are really goddamn scary. These death machines wrapped in human skin are nigh-unkillable embodiments of pure malice, their brutality conveyed here in how they butcher, stomp, and crush their frail human victims. As Eiko flees from a T-1000 that’s wiped out the rest of her unit, the after-effects of this grisly massacre are shown in uncomfortable detail.
Here, we also get a preview of something else Production I.G. brings throughout the series besides all the viscera: smooth action animation and punchy direction. From beginning to end, the show looks great from a technical perspective, with fluid animation that seamlessly captures big action movie moments, as well as more intimate displays of uncomfortable robot-on-human violence. In the beginning chase, Eiko swings around a corner as the Terminator’s bullets whiz past her, her movement captured with grace and power as the metallic soundtrack builds.
However, the Terminator is a tough foe, and one of the reasons the iconic robot is scary again here is because we can feel how overmatched our characters are in every shattered bone it nonchalantly inflicts. A nice novel touch compared to other takes on this material is that, because the story takes place in Japan where it’s hard to access firearms, everyone, including the killer bot, needs to get a bit more creative about how they fight.
Sharp storyboarding and editing further push things visually as Production I.G. delivers eyeball-searing apocalyptic sights that build on their experience crafting iconic sci-fi anime; the harsh purples of a Skynet-controlled future calls back to the original movie’s heavy metal intro, disquieting helper bots prowl streets, and a hallucinatory augmented-reality chamber sets the stage for a grand debate. Whether it’s the action sequences or anything else, the series snaps from scene to scene with clever match cuts and a good visual pace that maintains tension.
However, while the direction and animation capture much of what made the original movies so thrilling and the story begins in a similar place to previous iterations, this tale eventually diverges in compelling directions—at a certain point, instead of just parroting what the previous installments did, Zero begins to subvert their underlying ideas and assumptions.